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One such book was Eye and Brain, by the visual neuroscientist Richard Gregory. What particularly intrigued him were experiments on optical illusions and blind spots—anomalies in the visual system that could explain something about how the brain itself functioned. Stimulated by this book, he conducted his own experiments, the results of which he managed to get published in a prestigious journal, which in turn led to an invitation to study visual neuroscience in the graduate department at Cambridge University.

Excited by this chance to pursue something more suited to his interests, Ramachandran accepted the invitation. After a few months at Cambridge, however, he realized that he did not fit in this environment.

In his boyhood dreams, science was a great romantic adventure, an almost religious- like quest for the truth.

He soldiered on, finding his own interests within the department, and completed his degree. A few years later he was hired as an assistant professor in visual psychology at the University of California at San Diego. As had happened so many times before, after a few years his mind began to drift to yet another subject—this time to the study of the brain itself. He became intrigued by the phenomenon of phantom limbs—people who have had an arm or leg amputated and yet still feel a paralyzing pain in the missing limb.

He proceeded to conduct experiments on phantom limb subjects. These experiments led to some exciting discoveries about the brain itself, as well as a novel way to relieve such patients of their pain. Suddenly the feeling of not fitting in, of restlessness, was gone.

Studying anomalous neurological disorders would be the subject to which he could devote the rest of his life. It opened up questions that fascinated him about the evolution of consciousness, the origin of language, and so on. It was as if he had come full circle to the days of collecting the rarest forms of seashells. This was a niche he had all to himself, one he could command for years to come, that corresponded to his deepest inclinations and would serve best the cause of scientific advancement.

For Yoky Matsuoka, childhood was a period of confusion and blur. Growing up in Japan in the s, everything seemed laid out for her in advance.

The school system would funnel her into a field that was appropriate for girls, and the possibilities were rather narrow. Her parents, believing in the importance of sports in her development, pushed her into competitive swimming at a very early age.

They also had her take up the piano. For other children in Japan it may have been comforting to have their lives directed in such a fashion, but for Yoky it was painful. She was interested in all kinds of subjects—particularly math and science. She liked sports but not swimming. She had no idea what she wanted to become or how she could possibly fit into such a regimented world.

At the age of eleven she finally asserted herself. She had had enough of swimming and wanted to take up tennis. Her parents agreed to her wishes. Being intensely competitive, she had great dreams for herself as a tennis player, but she was starting out in the sport rather late in life.

To make up for lost time she would have to undergo an almost impossibly rigorous practice schedule. She traveled outside Tokyo for training and so would do her homework on the ride back at night.

Often having to stand up in the crowded car, she would crack open her math and physics books and work out the equations. In a strange way, it was similar to the sensation she felt on the tennis court—a deep focus where nothing could distract her.

In the few free moments on the train Yoky would think about her future. Science and sports were the two great interests in her life. In them she could express all of the different sides of her character—her love of competing, working with her hands, moving gracefully, analyzing and solving problems.

In Japan you had to choose a career that was generally quite specialized. Whatever she chose would require sacrificing her other interests, which depressed her to no end. One day she daydreamed about inventing a robot that could play tennis with her.

Inventing and playing against such a robot would satisfy all of the different sides of her character, but it was only a dream. Although she had risen through the ranks to become one of the top tennis prospects in Japan, she quickly realized that this was not to be her future. In practice, no one could beat her, but in competition she would often freeze up, overthink the situation, and lose to inferior players. She also suffered some debilitating injuries.

She would have to focus on academics and not on sports. After attending a tennis academy in Florida, she convinced her parents to let her stay in the States and apply to the University of California at Berkeley. At Berkeley she could not decide on a major—nothing seemed to quite fit her wide-ranging interests. For lack of anything better, she settled on electrical engineering. One day she confided to a professor in her department about her youthful dream to build a robot to play tennis with her.

Much to her surprise the professor did not laugh, but instead invited her to join his graduate lab for robotics. Her work there showed so much promise that she was later admitted to graduate school at MIT, where she joined the artificial-intelligence lab of robotics pioneer Rodney Brooks. They were developing a robot with artificial intelligence, and Matsuoka volunteered to design the hand and arms. Ever since she was a child she had pondered her own hands while she was playing tennis or the piano or while scribbling out math equations.

The human hand was a miracle of design. Although this was not exactly sports, she would be working with her hands to construct the hand.

Finding at last something that suited a larger range of her interests, she worked night and day on building a new kind of robotic limb, one that possessed as much as possible the delicate grasping power of the human hand. Her design dazzled Brooks—it was years ahead of anything anyone had ever developed. Feeling that there was a critical lack in her knowledge, she decided to gain an additional degree in neuroscience. Forging this field would bring her great success in science and put her in the ultimate position of power—the ability to freely combine all of her interests.

The career world is like an ecological system: People occupy particular fields within which they must compete for resources and survival. The more people there are crowded into a space, the harder it becomes to thrive there. Working in such a field will tend to wear you out as you struggle to get attention, to play the political games, to win scarce resources for yourself. You spend so much time at these games that you have little time left over for true mastery. You are seduced into such fields because you see others there making a living, treading the familiar path.

You are not aware of how difficult such a life can be. The game you want to play is different: to instead find a niche in the ecology that you can dominate. It is never a simple process to find such a niche. It requires patience and a particular strategy. In the beginning you choose a field that roughly corresponds to your interests medicine, electrical engineering.

From there you can go in one of two directions. The first is the Ramachandran path. From within your chosen field, you look for side paths that particularly attract you in his case the science of perception and optics.

When it is possible, you make a move to this narrower field. You continue this process until you eventually hit upon a totally unoccupied niche, the narrower the better. The second is the Matsuoka path. Once you have mastered your first field robotics , you look for other subjects or skills that you can conquer neuroscience , on your own time if necessary. You can now combine this added field of knowledge to the original one, perhaps creating a new field, or at least making novel connections between them.

Ultimately you create a field that is uniquely your own. In either direction, you have found a niche that is not crowded with competitors. You have freedom to roam, to pursue particular questions that interest you. You set your own agenda and command the resources available to this niche. It was Wolfgang who asked to start lessons at this precocious age; his sister, age seven, had already started on the instrument.

Perhaps it was partly out of sibling rivalry that he had taken such initiative, seeing the attention and love that his sister received for her playing and wanting it for himself. After the first few months of practice, his father, Leopold—a talented player, composer, and teacher himself—could see that Wolfgang was exceptional.

Most strange for his age, the boy loved to practice; at night his parents had to drag him away from the piano. He began to compose his own pieces at the age of five. Soon, Leopold took this prodigy and his sister on the road to perform in all the capitals of Europe. Wolfgang dazzled the royal audiences for whom he performed. He played with assurance and could improvise all kinds of clever melodies. He was like a precious toy.

The father was now earning a nice income for the family, as more and more courts wanted to see the child genius in action. As the patriarch of the family, Leopold demanded total obedience from his children, even though it was now young Wolfgang who was essentially supporting them all. Wolfgang willingly submitted—he owed everything to his father.

But as he entered adolescence something else stirred within him. Was it playing the piano that he enjoyed, or simply attracting all of this attention? He felt confused. After so many years composing music he was finally developing his own style, and yet his father insisted that he focus on writing the more conventional pieces that pleased the royal audiences and brought the family money.

The city of Salzburg, where they lived, was provincial and bourgeois. In general, he yearned for something else, to be on his own. With each passing year, Wolfgang felt increasingly stifled.

Finally, in , the father allowed Wolfgang—now twenty-one—to leave for Paris, accompanied by his mother. There he must try to gain a prominent position as conductor, so that he could continue supporting his family. But Wolfgang did not find Paris to his liking.

The jobs he was offered seemed beneath his talents. And then his mother fell ill while there and died on the way back home. The trip was a disaster in all possible ways. He accepted a rather uninteresting position as the court organist, but he could not completely suppress his unease. I neither can nor ought to bury the talent for composition with which God in his goodness has so richly endowed me. Finally, in a flash, it came to Wolfgang: it was never really the piano that was his love, nor even music per se.

He did not enjoy performing before others like a puppet. It was composing that he was destined for; but more than that, he had an intense love for the theater.

He wanted to compose operas—that was his true voice. He would never realize this if he remained in Salzburg. It was his father who represented more than an obstacle; he was in fact ruining his life, his health, his confidence. Wolfgang had to take a step, however painful, before it was too late. On a trip to Vienna in , Wolfgang made the fateful decision to stay. He would never return to Salzburg. As if Wolfgang had broken some great taboo, his father could never forgive him for this; his son had abandoned the family.

The rift between them would never be repaired. A false path in life is generally something we are attracted to for the wrong reasons—money, fame, attention, and so on.

If it is attention we need, we often experience a kind of emptiness inside that we are hoping to fill with the false love of public approval. Because the field we choose does not correspond with our deepest inclinations, we rarely find the fulfillment that we crave.

Our work suffers for this, and the attention we may have gotten in the beginning starts to fade—a painful process. If it is money and comfort that dominate our decision, we are most often acting out of anxiety and the need to please our parents. They may steer us toward something lucrative out of care and concern, but lurking underneath this can be something else—perhaps a bit of envy that we have more freedom than they had when they were young. Your strategy must be twofold: first, to realize as early as possible that you have chosen your career for the wrong reasons, before your confidence takes a hit.

And second, to actively rebel against those forces that have pushed you away from your true path. Feel some anger and resentment at the parental forces that want to foist upon you an alien vocation. It is a healthy part of your development to follow a path independent of your parents and to establish your own identity.

Let your sense of rebellion fill you with energy and purpose. If it is the father figure, the Leopold Mozart, that is blocking your path, you must slay him and clear the way. Let go of the past—The adaptation strategy From the time he was born in , Freddie Roach was groomed to be a boxing champion. His father had been a professional fighter himself, and his mother a boxing judge. He trained with a coach several hours a day, six days a week. By the age of fifteen he felt like he was burned out.

He made more and more excuses to avoid going to the gym. You just get hit all the time. Clearly, she saw his older brother as the one destined for greatness. Now Freddie determined that he would somehow prove her wrong. He returned to his training regimen with a vengeance. He discovered within himself a passion for practice and discipline. He enjoyed the sensation of getting better, the trophies that began to pile up, and, more than anything, the fact that he could now actually beat his brother.

His love for the sport was rekindled. As Freddie now showed the most promise of the brothers, his father took him to Las Vegas to help further his career. There, at the age of eighteen, he met the legendary coach Eddie Futch and began to train under him. It all looked very promising—he was chosen for the United States boxing team and began to climb up the ranks.

Before long, however, he hit another wall. He would learn the most effective maneuvers from Futch and practice them to perfection, but in an actual bout it was another story. As soon as he got hit in the ring, he would revert to fighting instinctually; his emotions would get the better of him. His fights would turn into brawls over many rounds, and he would often lose. After a few years, Futch told Roach it was time to retire. But boxing had been his whole life; retire and do what? He continued to fight and to lose, until finally he could see the writing on the wall and retired.

He took a job in telemarketing and began to drink heavily. Now he hated the sport—he had given it so much and had nothing to show for his efforts. He showed up on time and stayed later than anyone else. His responsibilities began to grow. In the back of his mind he could not shake his resentment of boxing, and he questioned how long he could keep this up. It was a dog-eat-dog career and trainers rarely lasted very long in the business.

Would this turn into yet another routine in which he would endlessly repeat the same exercises he had learned from Futch? A part of him yearned to return to fighting—at least fighting was not so predictable. One day Virgil Hill showed him a technique he had picked up from some Cuban fighters: Instead of working with a punching bag, they mostly trained with the coach, who wore large padded mitts.

Standing in the ring, the fighters half-sparred with the coach and practiced their punches. Roach tried it with Hill and his eyes lit up. It brought him back into the ring, but there was something else.

Boxing, he felt, had become stale, as had its training methods. In his mind, he saw a way to adapt the mitt work for more than just punching practice.

It could be a way for a trainer to devise an entire strategy in the ring and demonstrate it to his fighter in real time. It could revolutionize and revitalize the sport itself. Roach began to develop this with the stable of fighters that he now trained. He instructed them in maneuvers that were much more fluid and strategic. Soon he left Futch to work on his own. He quickly established a reputation for preparing his boxers better than anyone else, and within a few years he rose to become the most successful trainer of his generation.

In dealing with your career and its inevitable changes, you must think in the following way: You are not tied to a particular position; your loyalty is not to a career or a company. It is up to you to find it and guide it correctly. It is not up to others to protect or help you. You are on your own. Change is inevitable, particularly in such a revolutionary moment as ours. Since you are on your own, it is up to you to foresee the changes going on right now in your profession.

You do not hold on to past ways of doing things, because that will ensure you will fall behind and suffer for it. You are flexible and always looking to adapt. If change is forced upon you, as it was for Freddie Roach, you must resist the temptation to overreact or feel sorry for yourself. Thinking in this way, he could adapt his inclinations to a new direction within boxing.

Your eye is on the future, not the past. Often such creative readjustments lead to a superior path for us—we are shaken out of our complacency and forced to reassess where we are headed. The moment you rigidly follow a plan set in your youth, you lock yourself into a position, and the times will ruthlessly pass you by. Find your way back—The life-or-death strategy As a very young child Buckminster Fuller — knew that he experienced the world differently than others.

He was born with extreme nearsightedness. Everything around him was a blur, and so his other senses developed to compensate for this—particularly touch and smell. Even after he was prescribed glasses at the age of five, he continued to perceive the world around him with more than just his eyes.

He had a tactile form of intelligence. Fuller was an extremely resourceful child. He once invented a new kind of oar to help propel him across the lakes in Maine where he spent his summers delivering mail. Its design was modeled after the motion of jellyfish, which he had observed and studied.

He could envision the dynamics of their movement with more than his eyes—he felt the movement. He reproduced this motion in his newfangled oar and it functioned beautifully. Being different, however, had its painful side. He had no patience for the usual forms of education. Although he was very bright and had been admitted to Harvard University, he could not adapt to its strict style of learning.

He skipped classes, began to drink, and led a rather bohemian lifestyle. The officials at Harvard expelled him twice—the second time for good.

After that he bounced from job to job. He worked at a meatpacking plant and then, during World War I, he secured a good position in the navy. He had an incredible feel for machines and how their parts worked in concert. But he was restless, and could not stay too long in one place. After the war he had a wife and child to support, and despairing of ever being able to care for them properly, he decided to take a high-paying position as a sales manager.

He worked hard, did a decent job, but after three months the company folded. He had found the work extremely unsatisfying, but it seemed that such jobs were all he could expect from life.

Finally, a few months later, a chance appeared out of nowhere. His father- in-law had invented a way of producing materials for houses that would end up making them more durable and better insulated, and at a much lower cost. But the father could not find investors or anyone willing to help him set up a business.

Fuller thought his idea brilliant. He had always been interested in housing and architecture, and so he offered to take charge of implementing this new technology. He put everything he could into the effort and was even able to improve on the materials to be used. Money from investors, mostly family members, allowed them to open factories.

The company struggled —the technology was too new and radical, and Fuller was too much of a purist to compromise his desire to revolutionize the construction industry. After five years the company was sold and Fuller was fired as president. Now the situation looked bleaker than ever.

The family had been living well in Chicago on his salary, beyond its means. In those five years he had not managed to save anything. Winter was approaching and his prospects for work seemed very slim—his reputation was in tatters. One evening he walked along Lake Michigan and thought of his life up until then.

He had disappointed his wife, and he had lost money for his father-in-law and his friends who had invested in the enterprise. He was useless at business and a burden to everyone. Finally he decided upon suicide as the best option. He would drown himself in the lake. As he walked toward the water, he mentally prepared himself for death.

Suddenly something stopped him in his tracks—what he would describe later as a voice, coming from nearby or perhaps from within him. You think the truth. You do not have the right to eliminate yourself. You do not belong to you. You belong to Universe. Your significance will remain forever obscure to you, but you may assume that you are fulfilling your role if you apply yourself to converting your experiences to the highest advantage of others.

Stunned by these words, he turned away from the water and headed home. On the way there he began to ponder the words and to reassess his life, now in a different light. Perhaps what he had perceived moments earlier as his mistakes were not mistakes at all. He had tried to fit into a world business in which he did not belong. The world was telling him this if he only listened. The Stockade experience was not all a waste—he had learned some invaluable lessons about human nature.

He should have no regrets. The truth was that he was different. In his mind he imagined all kinds of inventions—new kinds of cars, houses, building structures—that reflected his unusual perceptual skills.

It struck him, as he looked around at row after row of apartment housing on his way back, that people suffered more from sameness, from the inability to think of doing things differently, than from nonconformity.

He swore that from that moment on he would listen to nothing except his own experience, his own voice. Whenever he thought of money first, disaster followed. He would take care of his family, but they would have to live frugally for the moment.

Your task as a creative thinker is to actively explore the unconscious and contradictory parts of your personality, and to examine similar contradictions and tensions in the world at large.

Expressing these tensions within your work in any medium will create a powerful effect on others, making them sense unconscious truths or feelings that have been obscured or repressed. Understand: to create a meaningful work of art or to make a discovery or invention requires great discipline, self-control, and emotional stability.

It requires mastering the forms of your field. Drugs and madness only destroy such powers. When you look at the exceptionally creative work of Masters, you must not ignore the years of practice, the endless routines, the hours of doubt, and the tenacious overcoming of obstacles these people endured.

Creative energy is the fruit of such efforts and nothing else. VI: Fuse the Intuitive with the Rational: Mastery All of us have access to a higher form of intelligence, one that can allow us to see more of the world, to anticipate trends, to respond with speed and accuracy to any circumstance. This intelligence is cultivated by deeply immersing ourselves in a field of study and staying true to our inclinations, no matter how unconventional our approach might seem to others.

Through intense absorption in a particular field over a long period of time, Masters come to understand all of the parts involved in what they are studying. They reach a point where all of this has become internalized and they are no longer seeing the parts, but gain an intuitive feel for the whole. They literally see or sense the dynamic. The ability to have this intuitive grasp of the whole and feel this dynamic is simply a function of time. It is not a matter of studying a subject for twenty years, and then emerging as a Master.

The time that leads to mastery is dependent on the intensity of our focus. The key, then, to attaining this higher level of intelligence is to make our years of study qualitatively rich. We look for connections between the various elements we are learning, hidden laws that we can perceive in the apprenticeship phase.

If we experience any failures or setbacks, we do not quickly forget them because they offend our self-esteem. Instead we reflect on them deeply, trying to figure out what went wrong and discern whether there are any patterns to our mistakes. Understand: this intuitive form of intelligence was developed to help us process complex layers of information and gain a sense of the whole. And in the world today, the need to attain such a level of thinking is more critical than ever before.

To follow any career path is difficult, and requires the cultivation of much patience and discipline. We have so many elements to master that it can be intimidating. We must learn to handle the technical aspects, the social and political gamesmanship, the public reactions to our work, and the constantly changing picture in our field.

We must learn how to quiet the anxiety we feel whenever we are confronted with anything that seems complex or chaotic. To go along with this self-control, we must do whatever we can to cultivate a greater memory capacity—one of the most important skills in our technologically oriented environment. The problem that technology presents us is that it increases the amount of information at our disposal, but slowly degrades the power of our memory to retain it.

To counteract this, in our spare time we should not simply look for entertainment and distractions. We should take up hobbies—a game, a musical instrument, a foreign language—that bring pleasure but also offer us the chance to strengthen our memory capacities and the flexibility of our brain. Strategies for Attaining Mastery Mastery is not a function of genius or talent. It is a function of time and intense focus applied to a particular field of knowledge. But there is another element, an X factor that Masters inevitably possess, that seems mystical but that is accessible to us all.

And so inevitably, these Masters, as they progress on their career paths, make a choice at a key moment in their lives: they decide to forge their own route, one that others will see as unconventional, but that suits their own spirit and rhythms and leads them closer to discovering the hidden truths of their objects of study. This key choice takes self-confidence and self-awareness—the X factor that is necessary for attaining mastery.

Connect to your environment—Primal Powers Understand: the ability to connect deeply to your environment is the most primal and in many ways the most powerful form of mastery the brain can bring us. We gain such power by first transforming ourselves into consummate observers. We see everything in our surroundings as a potential sign to interpret.

Nothing is taken at face value. To become such sensitive observers, we must not succumb to all of the distractions afforded by technology; we must be a little primitive. The primary instruments that we depend on must be our eyes for observing and our brains for analyzing. Play to your strengths—Supreme Focus There are many paths to mastery, and if you are persistent you will certainly find one that suits you.

But a key component in the process is determining your mental and psychological strengths and working with them. To rise to the level of mastery requires many hours of dedicated focus and practice. You cannot get there if your work brings you no joy and you are constantly struggling to overcome your own weaknesses.

You must look deep within and come to an understanding of these particular strengths and weaknesses you possess, being as realistic as possible. Once you start in this direction, you will gain momentum.

You will not be burdened by conventions, and you will not be slowed down by having to deal with skills that go against your inclinations and strengths.

In this way, your creative and intuitive powers will be naturally awakened. Understand: achieving mastery in life often depends on those first steps that we take. Transform yourself through practice—The Fingertip Feel In our culture we tend to denigrate practice. Getting to a high level of achievement through practice seems so banal, so uninspiring. These values of ours are oddly counterproductive—they cloak from us the fact that almost anyone can reach such heights through tenacious effort, something that should encourage us all.

Internalize the details—The Life Force You must see whatever you produce as something that has a life and presence of its own. This presence can be vibrant and visceral, or it can be weak and lifeless. Seeing your work as something alive, your path to mastery is to study and absorb these details in a universal fashion, to the point at which you feel the life force and can express it effortlessly in your work.

Widen your vision—the Global Perspective In any competitive environment in which there are winners or losers, the person who has the wider, more global perspective will inevitably prevail. The reason is simple: such a person will be able to think beyond the moment and control the overall dynamic through careful strategizing. Submit to the other—The Inside-out Perspective Understand: we can never really experience what other people are experiencing.

We always remain on the outside looking in, and this is the cause of so many misunderstandings and conflicts. Through continual exposure to people and by attempting to think inside them we can gain an increasing sense of their perspective, but this requires effort on our part. The artificial barriers between the arts and the sciences will melt away under the pressure to know and to express our common reality. Our ideas will become closer to nature, more alive and organic. In any way possible, you should strive to be a part of this universalizing process, extending your own knowledge to other branches, further and further out.

The rich ideas that will come from such a quest will be their own reward. The book was published in multiple languages including English, consists of pages and is available in Paperback format.

The main characters of this non fiction, self help story are ,. The book has been awarded with , and many others. Please note that the tricks or techniques listed in this pdf are either fictional or claimed to work by its creator. We do not guarantee that these techniques will work for you. Once you attain more understanding and expertise, you move into the active mode. You take the skill and use it on yourself. You need to break out of the rules and create a system on your own. Einstein worked at a patent office to give himself some resources on his thought experiments.

Survive with little money and learn as much as possible. Mix with many different types of people and grab their ideas. These people contribute to your learning curve. Whenever you are sitting comfortably in one group, stir up. Make new friends and accept new challenges.

If we think we already know everything, then we halt the learning process. We need to feel like beginners and keep on learning.

It takes more time. As long as you are learning, you will move towards acquiring the master skill. Once we are great at a particular skill, we tend to keep repeating as it is easy to do so. We avoid our weakness because it stops us from learning. We need to accept new challenges and keep fighting on. Making sure that we know where we want to go is very important. When you fail, treat yourself like a broken machine and fix your failure. Self-motivate and educate yourself.

Gain a full understanding of the whole skill set. To test out different roads and learn new skills, avoid a fixed work path. Spend your 20s moving around different paths and learn everything you can the way you go. In this modern era, people that follow a singular path will find their work road dead in their forties.

They also feel bored with their work hence. The comprehensive skill set you can acquire in your twenties will expand your prospect as you age. The relationship between the mentor and his disciple is an efficient way of learning something new. The right Guru knows where to make you focus your attention. They can challenge you in the right direction. Soon you will inherit all their knowledge and expertise. This means that you will get immediate feedback on your work, and you will improve fast.

As you go through one-on-one coaching, you learn. The thing you learn is a high power that is adept to your spirit. Pick the right mentor that fits your needs. Once you have gained all the expertise, you need to move on and do not remain. Your objective is to be better than your mentor. To learn something, you need to feel humble.

We have to admit there are people out there that know the sector much more than we do. It is not a process of talent, but a skill honed with experience. If you focus on yourself first, you need to create a solid work ethic and organizational skills.

Once you have done all that, the right Guru will appear. Although one mentor at a time is best, you cannot always get a perfect one. In this case, you need to reach your destination with several gurus at a time. Each Guru will fill up your gap in each skill set. Having more than one guru has other benefits, as they will link you up on other people. You can rely on several allies much later. However, if circumstances happen and you are limited to contacts, you can always read more books.

Improvement of the Mind. An apprenticeship is not difficult to find or complete. However, to complete mastery is even harder. Once you have learned the entire skillset, you need to set off all alone.

After that, you need to throw everything that you learned out of the window. However, Greene states we need to keep an open mind. Like a young kid, we have to keep our minds open. Challenge every single thing that we know. There are rules our Guru teaches us — common ways of doing the skills that have been acquired. Which of these skills is universal? Which skills can be broken or banished?

By the time you finish the apprenticeship, you have created your unique style. That is when you can allow yourself to grow and build something great. A true guru can only do this. So, never stop learning. But is it worth the price? You can either procrastinate or start today.

This might have been confidence, space or wisdom. Look for gurus that can do that, and beware of falling into traps. Do not pick a guru that resembles your parents that have all of their traits too. You are repeating the same mistake twice. The Guru can show you where you are at your weakest. You must not be afraid to face it and embrace it. Get used to criticism and welcome it. Only through honest feedback will you become confident again.

As you learn the lessons of your Guru, you begin to use them on yourself. One day you will be better than them.

You need to push back to the Guru to know what he wants. Work on a stable relationship between each other and adjust to learning instructions. Eventually, things learned will fit your needs. Often the most significant roadblock to our road to master the apprenticeship comes from emotions draining.

We deal with people that manipulate us and resist us. If we are not cautious, our minds get mixed up with endless problems and conflicts. The biggest challenge we face in this area is our tendency to tell people what we desire at present. We completely misread their intentions and react in the wrong manner.

This then leads to conflict. Social intelligence is a tactic to view people in the most realistic light possible. By going past our self-absorption, we must learn to read others and comprehend their behaviour. We can then discover what motivates them and get rid of any tendencies of manipulation.



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